On Dark Horses Indies Only

Description

The cover to Emma Ruth Rundles fourth solo record, On Dark Horses, bears a blurry photo of the songwriter obscuring her face with a large toy horse with broken legs. The photo suggests something candid but also hidden, graceful but also fractureda fitting portrait for an artist who has established a career by vacillating between shrouding herself in mystery and exposing her wounds to the world.

The first peek behind the curtain came with her Sargent House debut Some Heavy Ocean, where layers of distortion were excised in favor of acoustic guitar and Rundles beguiling vocals. There was a distinct difference by the time Rundle released Marked For Death, a stark and deeply personal meditation on mortality and self-destructive behavior. Her entire musical trajectoryfrom the cinematic instrumentals of Red Sparowes to the lush haze of Marriages and onward through her solo careerseems like a gradual disclosure of intimate secrets.

With On Dark Horses, Rundle doesnt shy away from uncomfortable realities or retreat into a private world, but it does capture an artist who has survived their personal nadir and come out stronger on the other side. Taking the full arrangements of Marked For Death on the road demanded a backing band, which Rundle pieced together from tour companionsfirst Dylan Nadon from Wovenhand and Git Some and later Evan Patterson and Todd Cook from Jaye Jayle.

Rundles budding romance with Patterson prompted a move to Louisville, Kentucky, which not only amplified the equestrian themes of the record but also yielded a new writing process. This is the first time I havent played all the guitars on my own record, Rundle says of Pattersons contributions to the writing process. It was stressful letting go but it was also rewarding.

The collaboration worked both ways, with Rundle contributing to Jaye Jayles No Trails and Other Unholy Paths. That albums Marry Us mirrors On Dark Horses Light Song, with the union of Rundles siren vocals and Pattersons poised baritone conjuring a dizzying and feverish update on the duets of Johnny Cash and June Carter.

The eight tracks of On Dark Horses capture the evolution of Rundle as an artist, with vestigial traces of the savvy guitar work of Electric Guitar: One, the siren song beauty of Some Heavy Ocean, and the amplified urgency of Marked For Death all factoring into the albums rich tapestry. Rundle arrives at the end of the album with an ode to a traumatized and heartbroken friend on the grand and triumphant You Dont Have To Cry. After laboring over the majority of the material for the album, she wrote the finale in one sitting, describing its easy birth as a gift from the gods. Its a fitting closer, a song announcing Rundles newfound hope and reminding us to take control during our darkest moments instead of succumbing to them.

a songwriter testing the limits of her sound and redefining herself in the process Pitchfork

Rundles voice floats above the seething morass, graceful and triumphant, an angel welcoming the apocalypse Stereogum

Opaque Vinyl