Description
Augustus Pablos unique sound which was created around playing what could best be described as a childs musical toy the Melodica ,it made him a very popular session player in the late 1970s and early was not only his unique talent of playing this instrument but also his talents on the piano and the keyboard. Pablo worked on a varied number of sessions for all the top Jamaican producers, but especially for King Tubby at his studio in the heart of the Waterhouse district of Kingston, Jamaica.
Augustus Pablo (b. Horace Swaby, 1954, St Andrew, Jamaica) cut his musical teeth with producer Herman Chin Lo in 1969, with his first record Iggy Iggy. His second cut for the producer was to be the timeless East of the River Nile which carried that haunting
Far-Eastern feel that in many ways became his signature sound. We have concentrated for this release on his sessions at King Tubbys studio where over a stream of producer Bunny Lees rhythms, Pablos talents were required. Rhythms that Bunny had already cut at the various other studios around Kingston, for example, Channel 1 where he had recorded his cut to the Declaration of Rights rhythm.
Randys Studio 17, where he recorded Horace Andys version of Bill Withers Aint No Sunshine. To Dynamic Sounds studio, used for Delroy Wilsons Cool Operator , Errol Dunkleys Black Cinderella and John Holts Clock On The Wall. Even back to Coxonne Dodds Studio 1 for Alton Elliss Im Just A Guy. Bunnys vast set of master tapes, which he stored at King Tubbys studio, were available to voice over or remix when the occasion should arise. Pablo was recruited on many occasions to add his magic to tracks both as a Melodica player and for additional piano and keyboards. These tracks in many cases would be used for the flip version side of the release that Bunny and Tubby were working on.
We have compiled a set of rhythms that have King Tubby and Phillip Smart at the controls and Augustus Pablo adding his musical flavour to the mix to make what we believe a great album.
Hope you enjoy the set.
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