Genericana

Description

Some thoughts from Joe OConnell on his projects new album: The album title is Genericana. To me, that roughly means the stuff from which stuff generates. Its a short hand way of evoking all the elements that Im mashing up in this music. The idea is basically that its this collision of genres, and collision of different versions of American music. Its also an album that doesnt fit very neatly into a category of album studio? live? remix? Maybe all, or none, of the above. This is a new mutant variety of Elephant Micah, better suited to survive the cultural climate of the moment in so-called Trumps America. It lives! I guess the lodestone in the process of making this was the kind of global avant garde mood thats prevalent in a lot of 1980s albums I admire. Things like Joni Mitchells Dog Eat Dog and Arthur Russells Calling Out of Context. These records where singers were making really eclectic and outward looking productions writing *through* the process of recording, and literally *playing* with technologies that were totally new to them. All the gear that I gathered to make the album was basically discarded or devalued. I got a bunch of stuff from Craigslist that interested me: a cheap FM synth, some Hindustani electronics, and an old three-head tape deck to use as a poor mans space echo. The icing on the cake is a one-of-a-kind homemade digital synthesizer called The Mutant. I worked with my brother to design it. He built it and coded it. The concept of the synth is parallel to the concept of the album itself. Its an electronic take on folk sounds (bends, drones, modal playing) and folk creative approaches (a cobbling together and reformatting of existing elements).

stark and haunting Pitchfork

unavoidable and real Angel Olsen

Beautiful and haunting. Patterson Hood (Drive-By Truckers)

modern, dark Americana. NPR Music

lyrical magic. KEXP