Description
Full-color single-LP jacket with OBI strip and custom dust-sleeve
Limited-edition Loser Edition on Coke Bottle Green Vinyl!
First run is on this colour there is no separate black vinyl.
If youre looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from METZ guitarist and vocalist Alex Edkins contains all of his main bands bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugarjust tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears.
These ten songs showcase a new side of Edkins already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the COVID-19 pandemic some of its tunes date back to 2013 in demo form. Hooks and melody have always been a big part of my writing, but they really became the main focus this time he explains. It was about doing what felt natural.
To be clear: Weird Nightmare is not a pandemic album, but an albumsome of which had been gestating for quite a whilethat just so happened to be recorded during the pandemic. I had always planned on finishing these songs, but being unable to tour with METZ, and forced to lock down, really gave me a push. After days spent homeschooling his son, Edkins would drive to the METZ rehearsal room and tinker deep into the night on these songs deceptively simple structures and rich, static-laden textures. It was a godsend for me, he states about the creative process. The hours would disappear and I would get lost in the music and record. It was a beautiful escape.
Weird Nightmare is, in its own way, a study in extremes: Edkins melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of METZ, but Alexs own sonic predilections. It doesnt sound right to my ears until its pushed over the edge. He also cites other artists who are masterful at mixing the sublime and the punishingKim Deal and Scout Niblett among themas influences on his own songwriting. My favorite songs are the simple ones, he explains. Ive never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song.
A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating Oh No, while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing Wrecked, a collaboration that effectively saved the song. I almost didnt put it on the album because I thought it was missing something, Edkins explains. I sent it to Alicia and she lifted it way up.
And taking risks and reaching out of Edkins comfort zone was the name of the game when it came to making Weird Nightmare. I found myself doing new things I didnt have the guts to do before, recording everything by myself and trusting all of my musical instincts, he states. I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth.






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